Walk into any room Aleksandra Teng Ma’s been working in this summer, and you’ll probably hear a mix of experimental sounds, snippets of Amy Winehouse vocals, and the occasional Animal Crossing tune playing in the background. That’s just how her brain works—blending tech, artistry, and everyday play into something entirely her own.

Aleksandra is a master’s student in Music Technology at Georgia Tech, but “student” barely scratches the surface. This summer, she’s been everywhere—physically in Massachusetts and intellectually somewhere between a Pride performance and a human-AI jam session at MIT.

“I’m always with my microphone and MIDI keyboard,” she says, like it’s just second nature. “I love singing and coming up with tunes.”

Live from MIT — It’s Human + AI Jamming
Forget dusty textbooks and silent labs—Aleksandra’s research life is about real-time musical interactions between humans and AI. As a visiting researcher at MIT this summer, she’s digging into what it looks like when musicians "jam" with intelligent systems. Think futuristic band practice, but with algorithms joining in.

“It’s giving me a lot of exposure to co-design methodologies,” she explains, “and letting me observe how musicians respond to each other—and to AI.”

It’s not just code and theory, either. The insights come alive when she brings them to the stage. This summer, Aleksandra’s band performed at The Music Porch in Reading, MA for Pride Month. Their cover of Pink Pony Club turned into a moment she won’t forget.

“It was so fun seeing people—especially teenagers—singing and dancing together,” she says. “That’s one of those moments where I just thought, yep, this is why I picked music tech.”

From Winehouse Covers to Ableton Experiments
Despite her research chops, Aleksandra hasn’t lost touch with the joy of just making music. She sings and plays keyboard in a band, covers Amy Winehouse songs, and occasionally writes music just for fun. (Her dream studio partner? You guessed it: Amy herself.)

She’s also been expanding her technical toolkit this summer, diving deeper into sound design with Ableton and Serum.

“Still learning,” she says, “but I’m using them for sound design in songs—and loving it.”

And then there are the unexpected “whoa” moments. Like when she built a vocal patch for the Pixies’ Where Is My Mind? to use live during a performance.

“It was haunting,” she says. “And it worked so well live.”

Dream Tech and Georgia Tech
Ask Aleksandra what she’d invent if she could mash up two instruments, and she already has an idea:

“Automatic vocal effects through a microphone with a built-in amplifier,” she says, laughing. “Honestly, someone probably already made this, but I want it anyway.”

That kind of thinking is exactly what her time at Georgia Tech has sparked. Before the program, she saw music mostly through the lens of conventional instruments. Now? She’s all about how software and hardware can expand what music even is.

Her Summer, in Sound
If Aleksandra’s summer had a vibe, it’d be:

• A creek bubbling in the background
• A long, ghostly reverb trail on a siren vocal
• And the ever-cozy tones of Animal Crossing

Not exactly your typical lab soundtrack—but that’s the beauty of it.

This fall, she’s heading back to Georgia Tech after a gap year at Bose, ready to jump into research on multimodal music source separation (AKA teaching machines to pick apart and understand layers in music the way humans do).

And yes, she’ll still be singing.

Hits with Aleksandra

• Current summer jams: Rosebud by Oklou & the new Lorde album
• What people don’t “get” about her work: “How music signals work on a granular level”

Aleksandra Ma doesn’t just study music tech—she lives it. Whether she’s tweaking reverb patches, performing under porch lights, or teaching AI how to groove, she’s showing what it really means to be a 21st-century musician.