The Architecture of Francis Palmer Smith, Atlanta's Scholar-Architect

Contact

Teri Nagel, Georgia Tech College of Architecture

Sidebar Content
No sidebar content submitted.
Summaries

Summary Sentence:

No summary sentence submitted.

Full Summary:

New book by Professor Emeritus Rob Craig documents the works of Georgia Tech's first architecture program director.

Media
  • The Architecture of Francis Palmer Smith - Inside The Architecture of Francis Palmer Smith - Inside
    (image/jpeg)
  • The Architecture of Francis Palmer Smith - Cover The Architecture of Francis Palmer Smith - Cover
    (image/jpeg)

Francis Palmer Smith was the principal designer of Atlanta-based Pringle and Smith, one of the leading firms of the early twentieth-century South. Smith was an academic eclectic who created traditional, history-based architecture grounded in the teachings of the École des Beaux-Arts. As The Architecture of Francis Palmer Smith shows, Smith was central to the establishment of the Beaux-Arts perspective in the South through his academic and professional career.

After studying with Paul Philippe Cret at the University of Pennsylvania, Smith moved to Atlanta in 1909 to head the new architecture program at the Georgia Institute of Technology. He would go on to train some of the South’s most significant architects, including Philip Trammell Shutze, Flippen Burge, Preston Stevens, Ed Ivey, and Lewis E. Crook Jr.

In 1922 Smith formed a partnership with Robert S. Pringle. In Atlanta, Savannah, Chattanooga, Jacksonville, Sarasota, Miami, and elsewhere, Smith built office buildings, hotels, and Art Deco skyscrapers; buildings at Georgia Tech, the Baylor School in Chattanooga, and the Darlington School in Rome, Georgia; Gothic Revival churches; standardized bottling plants for Coca-Cola; and houses in a range of traditional “period” styles in the suburbs. Smith’s love of medieval architecture culminated with his 1962 masterwork, the Cathedral of St. Philip in Atlanta. As his career drew to a close, Modernism was establishing itself in America. Smith’s own modern aesthetic was evidenced in the more populist modern of Art Deco, but he never embraced the abstract machine aesthetic of high Modern.

Robert M. Craig details the role of history in design for Smith and his generation, who believed that architecture is an art and that ornament, cultural reference, symbolism, and tradition communicate to clients and observers and enrich the lives of both.

Robert M. Craig is a professor emeritus of architectural history at the Georgia Institute of Technology. He is the author of Bernard Maybeck at Principia College: The Art and Craft of Building and Atlanta Architecture: Art Deco to Modern Classic, 1929–1959, and coauthor, with Paul Goldberger, of John Portman: Art and Architecture.

Additional Information

Groups

College of Design

Categories
Architecture
Related Core Research Areas
No core research areas were selected.
Newsroom Topics
No newsroom topics were selected.
Keywords
College of Architecture, robert m. craig, School of Architecture
Status
  • Created By: Teri Nagel
  • Workflow Status: Published
  • Created On: Jun 13, 2012 - 4:42am
  • Last Updated: Oct 7, 2016 - 11:12pm