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  <created>1561134535</created>
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  <title><![CDATA[Horses in the Back]]></title>
  <body><![CDATA[<p>Georgia Tech School of Literature, Media, and Communication&nbsp;Assistant Professor <a href="https://www.iac.gatech.edu/people/faculty/wilson_3">Joycelyn Wilson</a>&nbsp;wrote <a href="https://bittersoutherner.com/from-the-southern-perspective/horses-in-the-back-lil-nas-x-and-cultural-appropriation">&quot;Horses in the Back&quot;</a>&nbsp;in&nbsp;<em>The Bitter Southerner,&nbsp;</em>June 17.</p>

<p>Excerpt:</p>

<blockquote>
<p><strong>Let&rsquo;s say it again for those in the back: Trap music is the most significant cultural innovation to arise from Southern hip hop &mdash; and one of the most critical discoveries in American black music over the last quarter century.</strong> The latest example comes from Montero Lamar Hill, the 20-year old Atlanta rapper named Lil Nas X who, in just six months, has disturbed the groove of the country music industry with his viral hit &ldquo;Old Town Road.&rdquo;</p>

<p>Lil Nas X has turned the discussion of cultural appropriation on its head &hellip; again.</p>
</blockquote>

<p><a href="http://lmc.gatech.edu">The School of Literature, Media, and Communication</a>&nbsp;is a unit of&nbsp;Georgia Tech&#39;s&nbsp;<a href="https://www.iac.gatech.edu/">Ivan Allen College of Liberal Arts</a>.</p>

<p><a href="https://bittersoutherner.com/from-the-southern-perspective/horses-in-the-back-lil-nas-x-and-cultural-appropriation">Read the full article.</a></p>
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      <url><![CDATA[https://bittersoutherner.com/from-the-southern-perspective/horses-in-the-back-lil-nas-x-and-cultural-appropriation]]></url>
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      <value><![CDATA[ Shu Lin ]]></value>
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      <value>2019-06-21</value>
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          <item><![CDATA[Ivan Allen College of Liberal Arts]]></item>
          <item><![CDATA[School of Literature, Media, and Communication]]></item>
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