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  <title><![CDATA[Dr. Bethany Jacobs presents at Celebrating African American Literature and Language (CAALL) conference ]]></title>
  <body><![CDATA[<p>At the recent Celebrating African American Literature and Language (CAALL) conference at Penn State, Dr. Bethany Jacobs presented her paper, &ldquo;Playing with Authenticity in the Afrofuturist Albums of Janelle Mon&aacute;e.&rdquo; Dr. Jacobs discussed her success teaching Janelle Mon&aacute;e&rsquo;s albums in her ENGL 1102 Black Science Fiction course. Her students have placed Mon&aacute;e in conversation with the Georgia Tech Science Fiction Archives, campus events like &ldquo;Afrofuturism and Environmental Justice,&rdquo; and community events like the Atlanta Sci-Fi Film Festival. In her paper, Dr. Jacobs argued that Mon&aacute;e&rsquo;s albums compel a nuanced exploration of how the past, present, and future converge in black science fiction.</p>

<p>Teaching students this lesson has been uniquely possible at Georgia Tech, where the access to wide-ranging events, scholars, and art creates an ideal landscape for sci-fi exploration.</p>

<p><a href="http://wcprogram.lmc.gatech.edu/people/person/c0136c26-7ab1-5ed5-af18-c0fa46c21f47"><strong>Dr. Bethany Jacobs</strong></a> received her PhD from the University of Oregon in 2014. She teaches and researches Afrofuturism, U.S. multiethnic women&rsquo;s literature, and histories of social protest<em>,&nbsp;</em>for which she has developed composition textbooks at the University of Oregon. Her essay &quot;Woman Like You: Troubling Same-Sex Desire in Gayl Jones&#39;&nbsp;<em>Corregidora&nbsp;</em>and&nbsp;<em>Eva&#39;s Man</em>&quot;<em>&nbsp;</em>has been published in&nbsp;<em>Callaloo,&nbsp;</em>and her article &quot;Mothering Herself: Manifesto of the Erotic Mother in Audre Lorde&#39;s&nbsp;<em>Zami</em>&quot; has been published with&nbsp;<em>MELUS.&nbsp;</em>Her current book project,&nbsp;<em>Refusing Mothers: Dystopia and Multiethnic Literature,&nbsp;</em>argues that contemporary speculative literature by Chicana and African American women writers depicts motherhood as an inherently dystopic subject position, one that indicts the work of mid-century social justice movements for failing to include mothers in their liberatory visions.</p>

<p>More about the conference can be found on&nbsp;<a href="http://arc.psu.edu/caal2016">http://arc.psu.edu/caal2016</a></p>
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      <value><![CDATA[Dr. Bethany Jacobs presented her paper, “Playing with Authenticity in the Afrofuturist Albums of Janelle Monáe.”]]></value>
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            <title><![CDATA[Dr. Bethany Jacobs]]></title>
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            <title><![CDATA[Playing with Authenticity in the Afrofuturist Albums of Janelle Monáe.]]></title>
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