Thursday, March 4, 2027 at 8 pm
Friday, March 5, 2027 at 8 pm
Five-time Tony-nominated choreographer and director Camille A. Brown deepens her explorations of Black joy in Camille A. Brown & Dancers’ I AM. With captivating live and original music, I AM launches new queries into the possibilities of imagination—and boldly investigates the future. Inspired by a narrative within HBO’s Lovecraft Country and the rhythms of the movie Drumline, Brown’s 2025 New York Times Critics’ Pick breaks boundaries and “takes her signature interweaving of African diasporic dance forms to new heights.” — The New York Times
Critics & Press Quotes
"The joy of I AM is the joy of being entirely yourself, entirely present in the moment." — The New York Times
"Takes her signature interweaving of African diasporic dance forms to new heights." — The New York Times
"Redefines the boundaries of contemporary dance while emphasizing Black joy and cultural liberation." — The Daily Princetonian
"The dancing seethed with declarative empowerment... an unabashed celebration." — Interludes
Artist’s bio:
Camille A. Brown is a prolific Black female Director and choreographer whose work taps into both ancestral and contemporary stories to capture a range of deeply personal experiences and cultural narratives of African American identity. Through the medium of dance, she is successfully balancing careers in Stage, TV, and Film. She is the Artistic Director and Founder of her company, Camille A. Brown & Dancers (CABD). Her trilogy on race, culture, and identity has won accolades: Mr. TOL E. RAncE (2012) was honored with a Bessie Award in 2014, and a 2003 Bessie Award nomination for Outstanding Revival; BLACK GIRL: Linguistic Play (2015) was Bessie-nominated; and ink (2017) premiered at The Kennedy Center, to was performed at The Apollo Theater in 2022, and has received critical acclaim. She received a Bessie Award nomination for her latest work, I AM (2024), in 2025. In 2026, CABD will celebrate its 20th anniversary!
]]>Critics & Press Quotes
"The joy of I AM is the joy of being entirely yourself, entirely present in the moment." — The New York Times
"Takes her signature interweaving of African diasporic dance forms to new heights." — The New York Times
"Redefines the boundaries of contemporary dance while emphasizing Black joy and cultural liberation." — The Daily Princetonian
"The dancing seethed with declarative empowerment... an unabashed celebration." — Interludes
Artist’s bio:
Camille A. Brown is a prolific Black female Director and choreographer whose work taps into both ancestral and contemporary stories to capture a range of deeply personal experiences and cultural narratives of African American identity. Through the medium of dance, she is successfully balancing careers in Stage, TV, and Film. She is the Artistic Director and Founder of her company, Camille A. Brown & Dancers (CABD). Her trilogy on race, culture, and identity has won accolades: Mr. TOL E. RAncE (2012) was honored with a Bessie Award in 2014, and a 2003 Bessie Award nomination for Outstanding Revival; BLACK GIRL: Linguistic Play (2015) was Bessie-nominated; and ink (2017) premiered at The Kennedy Center, to was performed at The Apollo Theater in 2022, and has received critical acclaim. She received a Bessie Award nomination for her latest work, I AM (2024), in 2025. In 2026, CABD will celebrate its 20th anniversary!
]]>David Blaine calls Mario "the BEST kids magician in the world!!" Come see why. It's robots and magic and slapstick... oh my! Mario the Maker Magician is a smash-hit, all-ages family theater experience that will lead you through an hour-long journey of energy-driven interaction, belly laughs, and maker inspiration. The contagiously upbeat Mario has been dubbed "magic's punk rock Peter Pan philosopher," and rightly so. Mario has been featured on The Tonight Show with Jimmy Fallon, Sesame Street, and live all over the world to sold-out audiences and critical acclaim. No one leaves the show empty-handed OR empty-hearted.
Duration:
Thursday, Nov. 12 — 11:00 AM
Friday, Nov. 13 — 11:00 AM
Saturday, Nov. 14 — 2:00 PM
approx. 60 minutes, no intermission
Age recommendation:
all ages (ideal for ages 4-10 and their families)
This show is best experienced multi-generationally... bring the extended family!
Warnings:
loud sounds and audience interaction
brief moments of light water spray
Artist’s bio:
Mario Marchese, is a first-generation Italian-American magician and maker born and raised just outside of New York City. He is a self-taught performer and robot maker with a deep love for art. Mario has been a featured guest on The Tonight Show with Jimmy Fallon, Sesame Street, and beyond, and has published two books for kids via Make: Magazine, on magic and making. Much of the year, he and his family tour the world with the show, road-schooling their children along the way.
]]>David Blaine calls Mario "the BEST kids magician in the world!!" Come see why. It's robots and magic and slapstick... oh my! Mario the Maker Magician is a smash-hit, all-ages family theater experience that will lead you through an hour-long journey of energy-driven interaction, belly laughs, and maker inspiration. The contagiously upbeat Mario has been dubbed "magic's punk rock Peter Pan philosopher," and rightly so. Mario has been featured on The Tonight Show with Jimmy Fallon, Sesame Street, and live all over the world to sold-out audiences and critical acclaim. No one leaves the show empty-handed OR empty-hearted.
Duration:
Thursday Nov.12 — 11:00AM
Friday, Nov. 13 — 11:00 AM,
Saturday, Nov. 14 — 2:00 PM
approx. 60 minutes, no intermission
Age recommendation:
all ages (ideal for ages 4-10 and their families)
This show is best experienced multi-generationally... bring the extended family!
Warnings:
loud sounds and audience interaction
brief moments of light water spray
Artist’s bio:
Mario Marchese, is a first-generation Italian-American magician and maker born and raised just outside of New York City. He is a self-taught performer and robot maker with a deep love for art. Mario has been a featured guest on The Tonight Show with Jimmy Fallon, Sesame Street, and beyond, and has published two books for kids via Make: Magazine, on magic and making. Much of the year, he and his family tour the world with the show, road-schooling their children along the way.
]]>
Grab your team and put your creativity to the test as you compete to build the ultimate edible haunted house. Expect surprise twists, mystery ingredients, fun challenges, and plenty of Halloween chaos along the way.
Prizes and bragging rights are on the line!
Bring your own decorating materials and/or use materials provided by GT Arts.
Sign up your team today! Sign up link: https://gatech.co1.qualtrics.com/jfe/form/SV_cNreuRHaI9X2cse)
]]>Artist’s bio:
For 25 years and counting, Grammy-winning percussion quartet Sō Percussion has redefined chamber music for the 21st century through an “exhilarating blend of precision and anarchy, rigor and bedlam” (The New Yorker). They are celebrated by audiences and presenters for a dazzling range of work: for live performances in which “telepathic powers of communication” (The New York Times) bring to life the vibrant percussion repertoire; for an extravagant array of collaborations in classical music, pop, indie rock, contemporary dance, and theater; and for their work in education and community-building, seeking to explore the immense possibility of art in our time.
To celebrate its 25th anniversary season, Sō Percussion releases 25×25 on Cantaloupe Music in September 2025, an 8-disc box set featuring 500 minutes of entirely new and previously-unreleased recordings of 21st century music, each piece written for, in collaboration with, and premiered by Sō Percussion. 25×25 includes works by Bora Yoon, Kendall K. Williams, Vân-Ánh Võ, Dan Trueman, Jason Treuting, Olivier Tarpaga, Shodekeh Talifero, Caroline Shaw. Juri Seo, claire rousay, Tristan Perich, Angélica Negrón, Andrea Mazzariello, Steven Mackey, Michael J. Love, Leilehua Lanzilotti, Nathalie Joachim, Robyn Jacob, Vijay Iyer, Suzanne Farrin, Cenk Ergün, Donnacha Dennehy, Dan Deacon, Eric Cha-Beach – and Sō Percussion as a writing group!
Recent highlights include a headlining series of concerts and collaborations at Bang on a Can’s LOUD Weekend at MASS MoCA, leading a festival-opening of Steve Reich’s Drumming with the composer in the audience; a two-week residency at the Brooklyn Academy of Music (BAM) in two programs, including collaborations with Helado Negro and Kate Stables (This is the Kit) and with Caroline Shaw featuring Ringdown performing a program highlighting their GRAMMY-winning Nonesuch album, Rectangles and Circumstance (Best Chamber Music / Small Ensemble Performance, 2025). Sō has performed concerts at the Elbphilharmonie Hamburg, Big Ears, Cal Performances, the BOZAR in Brussels, 92NY, at the Palau de la Musica Catalana in Barcelona, the Kennedy Center for the Performing Arts, Penn Live Arts in Philadelphia, the Hancher Auditorium at the University of Iowa, the Library of Congress; toured Benin and Burkina Faso with Olivier Tarpaga – and elsewhere.
Along with 25×25, Sō has a catalog of more than thirty albums featuring landmark recordings of works by David Lang, Steve Reich, Julia Wolfe, Caroline Shaw, Steven Mackey, Bobby Previte, Matmos, and many others.
Rooted in the belief that music is an elemental form of human communication, and galvanized by forces for social change, Sō enthusiastically pursues a range of social and community outreach through their nonprofit umbrella, including an ongoing partnership with Pan in Motion; the Sō Laboratories concert series; a studio residency program in Brooklyn; and the Sō Percussion Summer Institute, an intensive two-week chamber music seminar for percussionists and composers they have led annually since 2009. The members of Sō Percussion are the Edward T. Cone Performers-in-Residence at Princeton University – a role they’ve held for more than a decade.
Sō Percussion is Jason Treuting, Adam Sliwinski, Josh Quillen, and Eric Cha-Beach.
]]>Artist’s bio:
For 25 years and counting, Grammy-winning percussion quartet Sō Percussion has redefined chamber music for the 21st century through an “exhilarating blend of precision and anarchy, rigor and bedlam” (The New Yorker). They are celebrated by audiences and presenters for a dazzling range of work: for live performances in which “telepathic powers of communication” (The New York Times) bring to life the vibrant percussion repertoire; for an extravagant array of collaborations in classical music, pop, indie rock, contemporary dance, and theater; and for their work in education and community-building, seeking to explore the immense possibility of art in our time.
To celebrate its 25th anniversary season, Sō Percussion releases 25×25 on Cantaloupe Music in September 2025, an 8-disc box set featuring 500 minutes of entirely new and previously-unreleased recordings of 21st century music, each piece written for, in collaboration with, and premiered by Sō Percussion. 25×25 includes works by Bora Yoon, Kendall K. Williams, Vân-Ánh Võ, Dan Trueman, Jason Treuting, Olivier Tarpaga, Shodekeh Talifero, Caroline Shaw. Juri Seo, claire rousay, Tristan Perich, Angélica Negrón, Andrea Mazzariello, Steven Mackey, Michael J. Love, Leilehua Lanzilotti, Nathalie Joachim, Robyn Jacob, Vijay Iyer, Suzanne Farrin, Cenk Ergün, Donnacha Dennehy, Dan Deacon, Eric Cha-Beach – and Sō Percussion as a writing group!
Recent highlights include a headlining series of concerts and collaborations at Bang on a Can’s LOUD Weekend at MASS MoCA, leading a festival-opening of Steve Reich’s Drumming with the composer in the audience; a two-week residency at the Brooklyn Academy of Music (BAM) in two programs, including collaborations with Helado Negro and Kate Stables (This is the Kit) and with Caroline Shaw featuring Ringdown performing a program highlighting their GRAMMY-winning Nonesuch album, Rectangles and Circumstance (Best Chamber Music / Small Ensemble Performance, 2025). Sō has performed concerts at the Elbphilharmonie Hamburg, Big Ears, Cal Performances, the BOZAR in Brussels, 92NY, at the Palau de la Musica Catalana in Barcelona, the Kennedy Center for the Performing Arts, Penn Live Arts in Philadelphia, the Hancher Auditorium at the University of Iowa, the Library of Congress; toured Benin and Burkina Faso with Olivier Tarpaga – and elsewhere.
Along with 25×25, Sō has a catalog of more than thirty albums featuring landmark recordings of works by David Lang, Steve Reich, Julia Wolfe, Caroline Shaw, Steven Mackey, Bobby Previte, Matmos, and many others.
Rooted in the belief that music is an elemental form of human communication, and galvanized by forces for social change, Sō enthusiastically pursues a range of social and community outreach through their nonprofit umbrella, including an ongoing partnership with Pan in Motion; the Sō Laboratories concert series; a studio residency program in Brooklyn; and the Sō Percussion Summer Institute, an intensive two-week chamber music seminar for percussionists and composers they have led annually since 2009. The members of Sō Percussion are the Edward T. Cone Performers-in-Residence at Princeton University – a role they’ve held for more than a decade.
Sō Percussion is Jason Treuting, Adam Sliwinski, Josh Quillen, and Eric Cha-Beach.
]]>For over three decades, Jazz at Lincoln Center has been a leading advocate for jazz, culture, and arts education globally. Under the direction of Wynton Marsalis, Jazz at Lincoln Center has brought the art form of jazz from the heart of New York City to over 446 cities in more than 40 countries.
The JAZZ AT LINCOLN CENTER PRESENTS touring initiative provides an affordable opportunity to present great jazz programming, featuring up-and-coming musicians who have been identified as rising stars by JALC. The initiative also allows for expansion of the mission of JALC "to entertain, enrich and expand a global community for jazz through performance, education, and advocacy."
“Truly one of the most gorgeous voices I’ve ever heard. Please go see him.” – Jane Monheit
“David Marino is a refreshing, rather rare all-around entertainer --- the kind that doesn't come around very often.” BroadwayWorld
Artist’s bio:
Kate Kortum
Kate Kortum is a 23-year-old breakout jazz vocalist from Houston TX. Kortum has a unique, warm sound that is unlike any else - she takes be-bop, blues, songbook, and musical theatre and combines it with captivating lyrics to make a unique experience for audiences searching for the newest jazz sound. She began her love for jazz and music at Houston's legendary High School for the Performing and Visual arts where she concentrated on her studies in flute and saxophone but ultimately fell in love with singing. Her debut album "Good Woman”, released in September 2023 on Bandstand Presents, garnered over 1 million streams just one month after release. The album, now at over 3.5 million streams, reimagines and takes back standards written by men from the perspective of women through imaginative arrangements and interpretations. Kortum is set to release her sophomore album "Wild Woman", a sequel to "Good Woman", in August of 2025. Kortum has collected an impressive number of accolades in her short career including numerous Downbeat Magazine Awards and National YoungArts awards. She has performed at many historic venues including the Newport Jazz Festival, SXSW Festival, Mezzrow, Dizzy’s, Blue Note, Birdland Jazz Club, and at Jazz At Lincoln Center with the world-renowned Jazz at Lincoln Center Orchestra. Kortum has worked with fine musicians like Cyrille Aimée, Sheila Jordan, Peter Bernstein, Benny Benack III, and Wynton Marsalis. Kortum received her undergraduate degree in jazz voice at the University of Miami and her masters degree from the Juilliard School.
David Marino
David Marino, finalist from Canada’s “The Voice”, is a singer making headway internationally, performing at prestigious venues and jazz clubs across North America. Fresh off releasing his debut EP, “The Debut Sessions”, Marino performs regularly at jazz clubs across Canada, the United States and Europe. Marino has made himself a home at the iconic Birdland Jazz Club in New York, with musical director Billy Stritch, and recently completed dates in California, Florida, Germany, France, Italy and the UK.
]]>For over three decades, Jazz at Lincoln Center has been a leading advocate for jazz, culture, and arts education globally. Under the direction of Wynton Marsalis, Jazz at Lincoln Center has brought the art form of jazz from the heart of New York City to over 446 cities in more than 40 countries.
The JAZZ AT LINCOLN CENTER PRESENTS touring initiative provides an affordable opportunity to present great jazz programming, featuring up-and-coming musicians who have been identified as rising stars by JALC. The initiative also allows for expansion of the mission of JALC "to entertain, enrich and expand a global community for jazz through performance, education, and advocacy."
“Truly one of the most gorgeous voices I’ve ever heard. Please go see him.” – Jane Monheit
“David Marino is a refreshing, rather rare all-around entertainer --- the kind that doesn't come around very often.” BroadwayWorld
Artist’s bio:
Kate Kortum
Kate Kortum is a 23-year-old breakout jazz vocalist from Houston TX. Kortum has a unique, warm sound that is unlike any else - she takes be-bop, blues, songbook, and musical theatre and combines it with captivating lyrics to make a unique experience for audiences searching for the newest jazz sound. She began her love for jazz and music at Houston's legendary High School for the Performing and Visual arts where she concentrated on her studies in flute and saxophone but ultimately fell in love with singing. Her debut album "Good Woman”, released in September 2023 on Bandstand Presents, garnered over 1 million streams just one month after release. The album, now at over 3.5 million streams, reimagines and takes back standards written by men from the perspective of women through imaginative arrangements and interpretations. Kortum is set to release her sophomore album "Wild Woman", a sequel to "Good Woman", in August of 2025. Kortum has collected an impressive number of accolades in her short career including numerous Downbeat Magazine Awards and National YoungArts awards. She has performed at many historic venues including the Newport Jazz Festival, SXSW Festival, Mezzrow, Dizzy’s, Blue Note, Birdland Jazz Club, and at Jazz At Lincoln Center with the world-renowned Jazz at Lincoln Center Orchestra. Kortum has worked with fine musicians like Cyrille Aimée, Sheila Jordan, Peter Bernstein, Benny Benack III, and Wynton Marsalis. Kortum received her undergraduate degree in jazz voice at the University of Miami and her masters degree from the Juilliard School.
David Marino
David Marino, finalist from Canada’s “The Voice”, is a singer making headway internationally, performing at prestigious venues and jazz clubs across North America. Fresh off releasing his debut EP, “The Debut Sessions”, Marino performs regularly at jazz clubs across Canada, the United States and Europe. Marino has made himself a home at the iconic Birdland Jazz Club in New York, with musical director Billy Stritch, and recently completed dates in California, Florida, Germany, France, Italy and the UK.
]]>This hilarious musical adaptation of Dav Pilkey’s Dog Man spin-off series, Cat Kid Comic Club, is written by Kevin Del Aguila and Brad Alexander - the team that brought you DOG MAN: THE MUSICAL!
Approximate Run Time:
65 minutes
Recommended For:
Grades 1 through 5
Original Credits
Book and Lyrics by Kevin Del Aguila
Music by Brad Alexander
Adapted from the CAT KID COMIC CLUB series of books by Dav Pilkey
Directed and Choreographed by Marlo Hunter
Set Design by Cameron Anderson
Costume Design by Jen Caprio
Lighting Design by David Lander
Co-Sound Design by Scott Stauffer, Jesse Desrosiers
Puppet Design/Fabrication by AchesonWalsh Studios
Orchestrations by Brad Alexander
]]>This hilarious musical adaptation of Dav Pilkey’s Dog Man spin-off series, Cat Kid Comic Club, is written by Kevin Del Aguila and Brad Alexander - the team that brought you DOG MAN: THE MUSICAL!
Approximate Run Time:
65 minutes
Recommended For:
Grades 1 through 5
Original Credits
Book and Lyrics by Kevin Del Aguila
Music by Brad Alexander
Adapted from the CAT KID COMIC CLUB series of books by Dav Pilkey
Directed and Choreographed by Marlo Hunter
Set Design by Cameron Anderson
Costume Design by Jen Caprio
Lighting Design by David Lander
Co-Sound Design by Scott Stauffer, Jesse Desrosiers
Puppet Design/Fabrication by AchesonWalsh Studios
Orchestrations by Brad Alexander
]]>